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Aboriginal Art
Aboriginal Art
  • Authentic Aboriginal Art- KUDDITJI KNGWARREYE - 180x120-click here for more

    kudditji kngwarreyedescription kudditji kngwarreye language anmatyerre region utopia date of birth c1928 subject my country medium acrylic on belgian linen size 180cm x 120cm painted area painted 2010 in alice springs authenticity signed, working photographs and a certificate of authenticity kudditji kngwarreye is the younger brother of the late emily kame kngwarreye. he is an anmatyerre elder and custodian of many important dreamings. kudditji began painting his emu dreaming using a precise dotting style. he then moved to painting the more abstract my country style paintings which feature blocks of saturated colour. this style was similar to that of emily, however, it is not clear who began painting this style first. due to demand for his earlier works kudditji returned to the dotting style. in 2003, however, kudditji began exhibiting the my country style, which saw him rise to international stardom. exhibitions 1990 art dock, noumea 1992 museum for volkerkunde, basel, switzerland 1999 chapel off chapel, melbourne, victoria 2004 japingka gallery, perth, western australia 2005 colours in country, art mob, hobart, tasmania 2006 japinka gallery, fremantle, western australia 2008 japinka gallery, fremantle, western australia 2008 kate owen gallery, rozelle, new south wales 2009 kate owen gallery, rozelle, new south walesthis painting will be sent unstretched in a tube. fzj6859 txzj67


  • Aboriginal Art by TURKEY TOLSON TJUPURRULA 127 x 90CM-click here for more

    turkey tolson tjupurrula spear dreamingtingari 2000 127 x 90 cm this painting is associated with the area of iiyingaungau in the western australian desert. it depicts a pre-battle ceremony with numerous spears being straightened, represented by the line work. this piece depicts the repetition involved in the crafting of spears. this is a long and arduous process and requires great skill and strength. a tree known as spearbush pandorea doratoxylon is used to make the shaft of these spears, as the wood is lightweight, very strong and can be readily straightened and hardened over a fire. in the dreamtime a large group of mitukatjirri men travelled from a claypan at tjukula to ilyingaungau, where they made camp. at the same time further north a group of men from tjikarri entered the area. they made a camp near an overhanging cliff and prepared a large campfire to keep them warm in the night. the mitukatjirri men saw the campfire in the distance and immediately started preparing their spears to challenge the tjikarri men to a fight. the tjikarri men willingly accepted the challenge. the pre-battle ceremony continued till the early hours of the morning. after the fight the mitukatjirri men travelled to a near by cave in the mountains to rest. the work is 127 x 90cm and is stretched. it will be sent free of charge unstretched and rolled in a tube or the painting can be picked up from aboriginal galleries of australia, 35 spring street melbourne for further details please contact the gallery 03 9654 2516 maryanne hollow, director you are buying from aboriginal galleries of australia 35 spring street melbourne 3000 why you may ask why an internationally recognised gallery would have listings on . its a simple answer. advertising. reaches millions of people across the globe its the most cost effective form of advertising and selling an artwork that i can think of.


  • MINNIE PWERLE 'Awelye Atnwengerrp' 152 X 91cm 2005-click here for more

    the final value of this item includes 10 gst abn 92 684 045 320 minnie pwerle 2004 minnie pwerle acrylic on linen. 152cm x 91cm beautiful large work by the late, great minnie. excellent investment piece. all photos are a significant part of the item description. take your time to view them all carefully. pickup is free amp welcome. see postage tab at top of listing for your postage rate. all prices quoted include mandatory registration. all overseas mail is vial insured airmail only. insurance covers loss - not damage. all care is taken in packing fragile goods, but buyers take full responsibility for any damage in transit. if you are concerned about damage in transit, we recommend you arrange a courier of your choice - or pick it up from five dock. winning bidder must contact us within 3 days of auction end. a message with the title your invoice for purchases... will be forwarded within 24hrs after the auction end. pickup address, and all payment and contact details will all be available on this invoice. payment must be made within 7 days. all items sold are second hand, and therefore will have minor signs of wear. minor imperfections consistent with age, i.e. minor scratches, dings etc. any condition issues that we believe detract from the item will be noted. please do not buy if you are expecting an item to be in new condition. please inspect the photos carefully, as they are part of the description. powered by


  • NINGURA NAPURRULA SIZE IS 180CM X 120CM STUNNING-click here for more

    ningura napurrula size is 180cm x 120cm stunning color ningura napurrulatitle my countrysize 180cm x 120cm plus bordermaterials acrylic on hand primed linenpainted 2009comes with 37 working photos and a photo of ningura with her finished paintingpainting is signedtax invoice will be providedplease not ningura has used a stick to do the dotting not a brush this gives the painting more texture and obviously has taken longer making it a more investable painting then her ones just painted with a brush. better than her average paintingsartist nameningura napurrulatribepintupiareacentral amp western desertbornc. 1938 ningura napurrula was born at watulka, south of kiwirrkurra, western australia c.1938. she is the widow of yala yala gibbs tjungurrayi, a highly respected pintupi elder who held significant knowledge of his countries dreaming stories.ningurarsquos paintings depict designs associated with the rockhole sites of palturunya and wirrulnga, east of the kiwirrkura community mt. webb in western australia. the concentric cirlces represent rockholes and the arcs represent the higher rocky outcrops near the site. the u shapes represent women camped at the site. ningura depicts the mythological events of her ancestors. her artworks focuses on the travels of her female ancestors, the sacred sites that they passed, and the mythological significance of the bush tucker that they collected. in mythological times, one old woman, kutunga napanangka, passed through this site during her travels towards the east. she passed through numerous sites along the way before arriving at the permanent water site of muruntji, south west of mt. leibig. these travels and rituals help to explain the current customs and the ceremonial lives of these pintupi women. 2001 - lsquoaborigenarsquo at the palazzo bricherasio, turin, italy2003 - lsquoaustralian contemporary aboriginal art in praguersquo, toskansky place, prague, czech republic2003 - lsquomasterpieces from the western desertrsquo, gavin


  • Aboriginal Art by MINNIE PWERLE 166 x 25cms-click here for more

    i certify that this painting cat12000 is an original artwork by minnie pwerle. body paintbush melons this is a striking work is a classic example of minnie pwerles style in vibrant reds, oranges and yellows. within this piece we see body paint designs worn by women when performing ceremonies. body painting carries deep spiritual significance for the aboriginal people. they recognise the creative nature of this activity, which uses the human body itself as a living canvas for artistic expression. the use of particular designs and motifs denotes social position and the relationship of the individuals to their family group and to particular ancestors, totemic animals and tracts of land. in many situations individuals are completely transformed so they become the spirit ancestor they are portraying in the dance. the work is 166 x 125cm and is unstretched. the painting can be sent unstretched in a tube or picked up from aboriginal galleries of australia, 35 spring street melbourne for further details please contact the gallery 03 9654 2516 maryanne hollow, director you are buying from aboriginal galleries of australia 35 spring street melbourne 3000 why you may ask why an internationally recognised gallery would have listings on . its a simple answer. advertising. reaches millions of people across the globe its the most cost effective form of advertising and selling an artwork that i can think of.


  • KUDDTJI / KUDITJI KNGWARREYE - ABORIGINAL DOT PAINTING-click here for more

    kuddtji kngwarreye - wild bush potato - 2005 k001 investment plus we post worldwide a bankable investment painting by one of australias most sought after aboriginal artists, kuddtji kngwarreye. the subject of this painting is quite rare compared to his current works and was purchased direct from kuddtji in 2005 for our own collection. depicting wild bush potato dreaming and painted on quality belgium linen, it is a great opportunity to acquire a painting from this period of his career. we are sure the successful buyer will be more than happy with this fantastic piece of investment aboriginal art. kuddtji has signed this painting on the reverse. a photograph of kuddtji holding this painting is included in the purchase price, as is a certificate of authenticity from josephines gallery. a tax invoice is also included with each purchase. this painting will be sent via registered post. if you have any questions about this or any of our other paintings please contact the gallery director, terry, on 0428356669. please add our store to your favourite sellers list. we combine postage where ever possible - eg canvas with canvas board with board. we welcome international buyers and include a complimentary kangaroo print with each painting purchased by overseas buyers. also available to australian buyers upon request. size canvas 1300mm x 980mm approx. 51 inches x 38.12 inches image 1240mm x 920mm approx. 48.34 inches x 36 inches medium acrylic on belgium linen please note we do not make second chance offers. all images and text in this listing are subject to copyright.


  • Minnie Pwerle Topendart77 Aboriginal Fine Art-click here for more

    most beautiful painting stunning collectableinvestment superb rich and brilliant contrasting colours a unique art piece for collectorsinvestorsart lovers by one of the most famous australian artists minnie pwerle artist minnie pwerle area utopia subject awelye - atnwengerrp medium acrylic on high quality primed linen size 104 x 70 cm 90 x 61 cm painted area date of work painted in alice springs, dec 2005 procedence -the painting is signed x by minnie on verso - comes with a cd with 19 work in progress pics it will be posted separately -comes with a certificate of authenticity by a northern territory phd cultural anthropologist. please type minnie pwerle into google for further information about this great aboriginal artist and current gallery prices ......................................................................................... payment information and shipping charges well only post to australia payment bank deposit amp paypal. after purchase we will send you bank details. packinghandlingpostinginsurance free ------------------------------------------------------------------------------------------------------------------------- return policy because these works of art are one-offs...with their own intrinsic artistic peculiarities, not mass produced, there is no way that any work can be corrected, so all bids are final, please choose carefully there are no refunds or exchanges, again, please read the description in the listing and look at the photos closely.we have been as accurate as possibly. we have taken to ensure that what you see is what you get please note that colours may vary slightly due to computer monitor setting and digital photography if for any reason you are not sure about something, please email us before bidding. we will give you further information and answer you as honestly as we can. thanks ............................................................................... our abn 45224843710 -----------------------------------------------


  • Authentic Aboriginal Art - NGOIA POLLARD NAPALTJARRI-click here for more

    - ngoia pollard napaltjarri - swamps near nyrripi ngoia pollard napaltjarri date of birth c1948 region haasts bluffpapunyanyrripi language walpiri subject swamps near nyrripi size 182 x 128cm painted area medium acrylic on belgianlinen date painted 2007 in alice springs colours white on black authenticity photograph of the artist with the completed work and a certificate of authenticity ngoia pollard napaltjarri was born in haasts bluff in approximately 1948. she is the daughter of angoona nangala and jim tjungurrayi. ngoia pollard napaltjarris husband jack tjampijinpa pollard now deceased was a very important artist painting for papunya tzj1276 txzj67


  • Emily Pwerle - Minnie's Sister - The Legend Continues-click here for more

    top shelf work sourced from the custodians of minnies legend, the torres family. a true testament to emilys talent and to the familys commitment to ensuring only quality works are available. the artwork is 2120mm x 1210mm and comes on linen with a finishing shot and coa.


  • LORNA FENCER NAPURRULA SIZE IS 165CM X 120CM INVESTMENT-click here for more

    lorna fencer napurrula size is 165cm x 120cm investment color lorna fencer napurrulatitle caterpillar dreamingsize 165cm x 120cmmaterilas acrylic on canvaspainted 2006comes with a photo of lorna with her finished painting.certificate of authenticity is provided tax invoice is included artist namelorna fencer napurrulatribewarlpiriarealajamanubornc. 1920 - 7th december 2006 sadly missed by all lorna fencer napurrula is a senior warlpiri custodian, and has been painting since 1986. lorna was born about 1920 at yartula yartula. nearby is land inherited by lorna, yumurrpa located south of the granites mine area in the tanami desert, northern territory. lorna is among a small group of women who collectively produced the first paintings at lajamanu. lorna fencer was among the many warlpiri people forcibly relocated to lajamanu along hookers creek, where a government settlement had been established. this country is the traditional land of the gurindji aboriginal people. despite relocation, lorna fencer retained her cultural identity through ceremony, story telling and painting her art. lornarsquos work depicts the bush foods of her country originating from dreaming stories taught to her involving the travels of the napurrula and nakamarra skinor kinship and some dreamings from her fatherrsquos country of wapuurtarli. her main dreamings are about the gathering and growth of bush foods such as the yarla yam, wapirti and marlujarra. these dreamings entitle her to paint subjects such as the bush yam sweet potato, ldquongalatjirdquo little white flower, bush tomato, berry, caterpillar luju, wallaby, onion, water and particular mens stories including boomerangs. the yarla is an important dreaming for the warlpiri women, and a staple food source in the western desert. here lorna renders it in her distinctive expressive style. along with visually describing the yarla, some paintings contain information about when to gather this food source and how to find it. the use of vibrant co


  • Authentic Aboriginal Art - MINNIE PWERLE - PAINTED 2000-click here for more

    minnie pwerle - awelye atnwengerrp 2000 click picture to enlarge click picture to enlarge click picture to enlarge click picture to enlarge click picture to enlarge click picture to enlarge click picture to enlarge minnie pwerle date of birth c1910 deceased march 2006 language anmatyerrealyawarre country atnwengerrp north east of alice springs painted 2000 medium acrylic on linen subject awelye atnwengerrp size 101cm x 76cm authenticity certificate of authenticity from major gallery please email for further details this painting represents the ceremonial body paint worn on the bodies of the women of the region during ceremonies. unfortunately minnie passed away in march 2006. minnie leaves behind a collection of works that will forever be admired. in the australian art collector issue 27 jan mar 2004 and issue 31, jan march 2005 minnie was named in the 50 most collectable australian artists list. her works are held all over the world including the amp collection, john mcbride collection, hank ebes collection, fred torres collection, national gallery of victoria and queensland art gallery. this is a rare opportunity to buy a beautifzj1276 txzj67on 27-oct-08 at 210549 aedst, seller added the following information


  • NANDABITTA ABORIGINAL BARK PAINTING FINE CONDITION 1967-click here for more

    click here. . - now free up for auction is an extremely large and rare bark painting by groote eylandt aboriginal master painter nandabitta the details of this work are as follows artist nandabitta 1911 - 1981 date of work 1967 title turtles and snakes medium natural earth pigments on bark dimensions 860mm length x 520mm width frame dimensions 1040mm length x 700mm height x 70mm depth provenance the bark is inscribed with the following inscriptions verso nandabitta 1541 nandabitta. umbakumba groote eylandt. fishing. 1967. property of the naracoorte museum. south australia. decommissioned 2000 may there is also a sticker from adelaide auctioneers, some kind of identification device, and 2 labels from joel fine art. nb this work was auctioned in 2007 by joel fine art with an estimate of 5000-7000 but failed to sell. i have since spent an additional 1000 on framing it so it now owes me at least 6000-7000. the auction description when this was listed with joel fine art was as follows nandabitta, . 1911-81 australia aboriginal title price details turtles and snakes natural earth pigments on eucalyptus bark, 52 x 86 cm, est 5,000-7,000 joel fine art melbourne 03062008, lot no. 172 proveance naracoorte museum, south australia. private collection, melbourne condition this bark is in fine conditions for its age. there are a couple of small hairline cracks but it is otherwise in fine condition. framing this bark was recently spectacularly box mounted and framed in a perspex box using archive materials by colour square who are the framers of choice for auction houses, galleries and the ngv in victoria. the framing cost nearly 1000 in itself. other notes nandabitta is a highly sought after artist and has sold works at auction for close close to 10,000. the top works sold at auction according to aasd are as follows nandabitta, . 1911-81 australia aboriginal number of works 23. title hammer priceincl. premium details water monitors c. 1970 na 9,600 natural earth pigments on euca


  • Aboriginal Art by MINNIE PWERLE 144 x 88cms-click here for more

    i certify that this painting cata113360 is an original artwork by minnie pwerle. title body paintbush melons this is a striking work is a classic example of minnie pwerles style in vibrant red ochre, yellow and purple. within this piece we see body paint designs worn by women when performing ceremonies. body painting carries deep spiritual significance for the aboriginal people. they recognise the creative nature of this activity, which uses the human body itself as a living canvas for artistic expression. the use of particular designs and motifs denotes social position and the relationship of the individuals to their family group and to particular ancestors, totemic animals and tracts of land. in many situations individuals are completely transformed so they become the spirit ancestor they are portraying in the dance. the work is 144 x 88cm and is unstretched. the painting can be sent unstretched in a tube or picked up from aboriginal galleries of australia, 35 spring street melbourne for further details please contact the gallery 03 9654 2516 maryanne hollow, director you are buying from aboriginal galleries of australia 35 spring street melbourne 3000 why you may ask why an internationally recognised gallery would have listings on . its a simple answer. advertising. reaches millions of people across the globe its the most cost effective form of advertising and selling an artwork that i can think of.


  • Aboriginal Art by MINNIE PWERLE 178 x 142cm-click here for more

    aboriginal galleries of australia dealers in fine art from the central desert this is an original art work by minnie pwerle. this work depicts body paintbush melons and was painted 2004. you all know the drill with minnie......her bio......collections.....the usual sales pitch....so im not going to bother with that. what i will say is that you are buying from an established gallery who deal directly with all artists we represent and that this painting is an excellent example of minnies work.....strong......bold......dynamic. the work is supplied with gallery documentation. the artwork is 178cm x 142cm and is stretched. free shipping - the painting will be sent unstretched in a tube. or the painting can be picked up from aboriginal galleries of australia, 35 spring street melbourne for further details please contact the gallery 03 9654 2516 maryanne hollow, director you are buying from aboriginal galleries of australia 35 spring street melbourne 3000 why you may ask why an internationally recognised gallery would have listings on . its a simple answer. advertising. reaches millions of people across the globe its the most cost effective form of advertising and selling an artwork that i can think of.


  • JOHNNY WARANGKULA TJUPURRULA HUGE ABORIGINAL PAINTING!!-click here for more

    click here. . - now free we respectfully advise members of aboriginal communities that this web page contains details of people who have passed away. please note the huge size of this painting - 204cm x 116cm - this is without a doubt a huge, quality, investment piece. artist johnny warangkula tjupurrula circa 1925-2001title bungalung men, tingari dreaming and water dreaming 1997medium acrylic on linenimage size 204 cm l x 116 cm w catalogue number jw 40certificate of authenticity yesshipping to protect this work, it will be removed from the stretcher and sent rolled in a heavy-duty painting mailing tube. please note importantly, the painting comes with working photos of johnny w painting this work. provenance 1997 painted for famous australianirish photographer philip gray, who was introduced to johnny w and purchased this work from the artist in alice springs in 1997. 1997 - 2007 collection of philip gray 2007 2009 private collection, melbourne, australia notes works of this size sell for 28,000 plus at galleries and at auction. see for proof scroll down the page a viewing of this work can be arranged with prior notice. payment via bank deposit. payment must be made within 48 hours of auction end. professional art packaging will be used to post this piece. shipping costs will vary depending on buyer location. please email me for a quote. to protect this work, it will be sent rolled in a mailing tube. buyers with less than 5 positive feedback need to contact us for approval artwork is guaranteed to be as described. all buyers should conduct their own research, however we will answer all queries amp questions. johnny w biography artist name johnny warangkula tjupurrula tribe luritjawalpiripintupi area central amp western desert born born c.1925-2001 johnny warangkulas often referred to as johnny w. paintings encompass different layers of meaning. they represent important historical records, physical places, mythological events and ceremonies. the primary stories


  • ♥♥ LIN ONUS EARLY ABORIGINAL PAINTING ON BLACK VELVET ♥-click here for more

    click here. . - now free up for auction is an extremely rare and early painting by the one and only lin onus. before lin began painting in the more contemporary style that he is well know for today containing raark aboriginal cross hatching, he painted more traditional images of aboriginals in various poses for sale at his fathers bill art and craft shop that bill established to raise awareness of aboriginal culture. this work, a painting on velvet of a group of aboriginals sitting and standing around a campfire, is one of those early paintings. early on, lin did not sign his paintings with lin onus but rather went by the pseudonyms wirrin and yarmuk as he did not like to big note himself. you can see an image of lin painting one of these paintings in the 4th and 5th photos i have attached to this listing. how many of these rare early paintings survived i do not know. i have only ever seen one other example of this style of painting by lin so i can only imagine it is very rare. it is a great example of lins mastery with the paint brush even at a very early age. the provenance of this work is flawless, having originally been acquired by one of lins friends and co-workers at bills art and craft shop. please see below for more information. the details of this work are as follows artist lin onus born 1948-1996 title aboriginals around a campfire date of work circa 1960s medium painting on black velvet dimensions 67cm x 97cm framed in a slick black, brown and gold frame which compliments this work beautifully description signed yarmuk lower right one of lins pseudonyms used early in his painting career - see note above inscribed aboriginals around a campfire by lin onus verso originally acquired by a friend and ex-colleague of lin onus private collection, melbourne purchased from the above other notes this work is accompanied by a letter from the original owner which reads to whom it may concern, yarmuk - painting on velvet of aborigines around campfire by lin onus circ


  • Aboriginal Art by MINNIE PWERLE 144 x 88cms-click here for more

    i certify that this painting cata11902 is an original artwork by minnie pwerle. title bush melon this is a striking work is a classic example of minnie pwerles style in vibrant reds, oranges, blues and greens. within this piece we see body paint designs worn by women when performing ceremonies. body painting carries deep spiritual significance for the aboriginal people. they recognise the creative nature of this activity, which uses the human body itself as a living canvas for artistic expression. the use of particular designs and motifs denotes social position and the relationship of the individuals to their family group and to particular ancestors, totemic animals and tracts of land. in many situations individuals are completely transformed so they become the spirit ancestor they are portraying in the dance. the work is 144 x 88cm and is unstretched. the painting can be sent unstretched in a tube or picked up from aboriginal galleries of australia, 35 spring street melbourne for further details please contact the gallery 03 9654 2516 maryanne hollow, director you are buying from aboriginal galleries of australia 35 spring street melbourne 3000 why you may ask why an internationally recognised gallery would have listings on . its a simple answer. advertising. reaches millions of people across the globe its the most cost effective form of advertising and selling an artwork that i can think of.


  • Authentic Aboriginal Art - PEG LEG TJAMPITJINPA-click here for more

    peg leg tjampitjinpa peg leg tjampitjinpa the photographs of peg leg with his painting has not been shown out of respect for the artist. five working photographs will be supplied to the purchaser. date of birth c1920 deceased 2006 region yuendumu, yamunturrngu mt liebig, nyirrpi n.t. title untitled date painted 2004 size 130 x 94cm medium acrylic on linen colours white and black on red authenticity five working photographs and a certificate of authenticity unfortunately pegleg passed away last year. the australian aboriginal art world has lost another great artist. pegleg tjampitjinpa was born circa 1920. he lived a traditional lifestyle in the region surrounding wilkinkarra until 1957 when his family group encountered a northern territory welfare branch control at which time they were relocated to papunya. he lived in yuendemu and mt liebig and at nyirripi with his wives mary brown and margaret brown who are also artists. pegleg started painting after visiting his relation pinta pinta tjapanangka at walungurru kintore. his works are reminiscent of works by the very early papunya tzj1276 txzj67on 06-aug-07 at 183327 aest, seller added the following information


  • A DIDJERIDOO HOT WIRE BURNT BIG FISH COLLECTORES ITEM -click here for more

    well this is it one off the most important impressive message stick didgeridoo yidaki i belive ever made and their can never be another like this one .it is impossible for me to show all the art work that has been place on this didj ,this work depicts the top end to the centre off australia possibly from arnhem land down to alice springs where amunda was formed and has amunda the central australian band on it and the signatures of the amunda band founder and singer paul ahchee stanleynik that played the drums for amunda and also played the drums for nocturnal and i think the other is jarred and ngarrawin and mine the guardians ,look under amunda in google ,this work of art dose resemble clifford possum , i expect the age to be roughly 20+years it is termite eaten out and has also been burnt in on either end this is a truly traditional didgeridoo with hidden markings the more you look and study this aboriginal masterpeace. the more you find within the pictures and dots and lines , it appears to have been done with a hot wire or simular object with markings going in all directions around the didj , i and every one else that have seen this didgeridoo have seen no better than this and it plays in three distinct tones with a lovely deep drone as the month end has three destinct lip placements , this is a major collectors item, it has some small minor surface cracks but has been treated with animal fat emusheep and will not crack through or brake it is a heavy very solid didjeridoo , its size is 131cm .this is a true blue reigeedidj .study the art,there is only 23rds of this didj on display it can be veiwed and pick up is welcome or i will deliver within 100km from port pirie . ph 0428376817 ph08 86672102 or will post free and registered cheers.


  • ALBERT NAMATJIRA RARE WATERCOLOUR PAINTING ON BOOMERANG-click here for more

    click here. . - now free up for auction is an extremely rare and early watercolour painting by the legendary albert namatjira on a boomerang - one of only 2 to ever hit the open market the details of this work are as follows artist albert namatjira 1902 - 1959 date of work 1936 medium watercolour on wooden birch boomerang boomerang dimensions 500mm length x 70mm width at its widest point. this is an early, traditional boomerang which weighs approx 34 of a pound in itself frame dimensions 790mm length x 490mm height x 50mm depth provenance signed albert namatjira bottom middle. on the reverse of the boomerang is stamped aboriginal handicraft hermannsburg centre australia. it is further inscribed nov 1936. this was painted by albert for the centre in 1936. in the mid 1930s, albert painted several woomeras for the centre who sold them on alberts behalf to visitors and tourists passing through the centre. this example, however, is a much rarer hand painted boomerang. painted in 1936 private collection, sydney amanda addams auctions, melbourne, 29 march 2009, lot 85 private collection, melbourne condition this boomerang is in very good condition. there has been some very minor chipping of the shellac that was painted over the top of the boomerang after it was painted, but this is only very minor and has been mentioned for completeness only. you can see this minor chipping in the close up image i have provided of the signature. framing this boomerang has been thoughtfully framed using archive materials by colour square who are the framers of choice for auction houses, galleries and the ngv in victoria. it has been framed with copies of 2 of alberts watercolours from 1936 as well as william dargies famous portrait of albert which won dargie the archibald prize for portraiture in 1956. the boomerang itself has been hung using archive wire and can be removed if necessary without damaging the boomerang in any way. the entire framed piece measures 790mm length x 490mm height


  • Investment Aboriginal Painting Art Mitjili Napurrula-click here for more

    we do not send second chance offers if you have recieved one please forward it to this sides of this square painting are perfectly symmetrical, although this is not clearly depicted in the photos. the immaculate brush strokes are prominent and concise, which assist in determining the provenance of this work. artist mitjili napurrula title nulla nulla music sticks area ikuntji haasts bluff language pintupi medium acrylic on canvas - artist quality matisse paint on 100 12oz cotton canvas the quality of the medium is important for the life of the painting and investment resale image size 2000mm x 1250mm complete canvas size 2100mm x 1350mm - 700mm border for framing painted 2006 paintings come with a certificate of authenticity signed on verso by mitjili q why buy art from aboriginalartonline a we are genuine art collectors as well as gallery owners, so all our art is made to a very high standard. qualities which ensure our art is of the highest standard the medium the foundation with which great artists compose their creation if the work is composed of a poor quality canvas, it will not last the life of the painting. alternately, if the paints used are not of the highest quality, the image will have no resilience. resale value is always judged on not just the artists but also the materials used. all auction houses deliberately describe the medium used as a way to improve sales. our relationship with the artists we have built a bond with the artists over the last 20yrs and have developed a mutual respect. this is our passion to bring to the world the beauty each artist depicts in their amazing stories it is the respect we have from the artists which is apparent in the quality of the artwork. human nature dictates we all work better when we are paid well and have the respect of our employers. our testimony we do not list hundreds of works each week like a mass-production business. each work is unique and individual with a quality and consideration that you appreci


  • Investment Aboriginal Painting Art Mitjili Napurrula-click here for more

    we do not send second chance offers if you have recieved one please forward it to this sides of this square painting are perfectly symmetrical, although this is not clearly depicted in the photos. the immaculate brush strokes are prominent and concise, which assist in determining the provenance of this work. artist mitjili napurrula title watiya tujuta area ikuntji haasts bluff language pintupi medium acrylic on canvas - artist quality matisse paint on 100 12oz cotton canvas the quality of the medium is important for the life of the painting and investment resale image size 1800mm x 1400mm complete canvas size 1900mm x 1500mm - 700mm border for framing painted 2006 paintings come with a certificate of authenticity signed on verso by mitjili q why buy art from aboriginalartonline a we are genuine art collectors as well as gallery owners, so all our art is made to a very high standard. qualities which ensure our art is of the highest standard the medium the foundation with which great artists compose their creation if the work is composed of a poor quality canvas, it will not last the life of the painting. alternately, if the paints used are not of the highest quality, the image will have no resilience. resale value is always judged on not just the artists but also the materials used. all auction houses deliberately describe the medium used as a way to improve sales. our relationship with the artists we have built a bond with the artists over the last 20yrs and have developed a mutual respect. this is our passion to bring to the world the beauty each artist depicts in their amazing stories it is the respect we have from the artists which is apparent in the quality of the artwork. human nature dictates we all work better when we are paid well and have the respect of our employers. our testimony we do not list hundreds of works each week like a mass-production business. each work is unique and individual with a quality and consideration that you appreciate even mo


  • Investment Aboriginal Painting Art Maureen Nampajinpa-click here for more

    we do not send second chance offers if you have recieved one please forward it to this sides of this painting are perfectly symmetrical, clearly depicted in the photos. the immaculate brush strokes are prominent and concise, which assist in determining the provenance of this work. artist mareen hudson napajinpa title my country area mt denison nt language walpiri medium acrylic on belgium linen - artist quality matisse paint the quality of the medium is important for the life of the painting and investment resale image size 1800mm x 1520mm complete linen size 1900mm x 1620mm - 50mm border for framing painted 2005 paintings come with a certificate of authenticity and photo of artist with works, signed on verso by julieanne 3763 q why buy art from aboriginalartonline a we are genuine art collectors as well as gallery owners, so all our art is made to a very high standard. qualities which ensure our art is of the highest standard the medium the foundation with which great artists compose their creation if the work is composed of a poor quality canvas, it will not last the life of the painting. alternately, if the paints used are not of the highest quality, the image will have no resilience. resale value is always judged on not just the artists but also the materials used. all auction houses deliberately describe the medium used as a way to improve sales. our relationship with the artists we have built a bond with the artists over the last 20yrs and have developed a mutual respect. this is our passion to bring to the world the beauty each artist depicts in their amazing stories it is the respect we have from the artists which is apparent in the quality of the artwork. human nature dictates we all work better when we are paid well and have the respect of our employers. our testimony we do not list hundreds of works each week like a mass-production business. each work is unique and individual with a quality and consideration that you appreciate even more the longer


  • DOROTHY NAPANGARDI - Fine Aboriginal Art - 205 x 145 CM-click here for more

    dorothy napangardi205 x 145 cm wphotossalt on mina mina color click to view supersize imageclick to view supersize imageclick to view supersize image dorothy napangardi robinson c.1956salt on mina mina - 205 x 145 cm sothebys lawson-menzies shapiro cromwells auction results napangardi, dorothy robinson. c1956-. australia aboriginal titlehammerpriceincl. premiumdetailskarntakurlangu108,125129,750synthetic polymer paint on linen, 122 x 152 cm, est 40,000-60,000, sothebys, melbourne, 26072004, lot no. 113 more...karntakurlangu jukurrpa 2003 100,000120,000synthetic polymer paint on linen, 183 x 350 cm, est 80,000-100,000, lawsonmenzies, sydney, 14112007, lot no. 62 more...mina mina, 2000 75,00090,000synthetic polymer paint on linen, 300 x 175 cm, est 85,000-100,000, lawsonmenzies, sydney, 22112006, lot no. 97 more...womens dreaming, 200172,02084,625synthetic polymer paint on canvas, 183 x 122 cm, est 50,000-70,000, shapiro auctioneers, melbourne, 10122003, lot no. 153 more...salt on mina mina, 200270,00084,000synthetic polymer paint on linen, 182 x 348 cm, est 80,000-100,000, lawsonmenzies, sydney, 23112004, lot no. 48 more...salt on mina mina, 200365,73476,580acrylic on belgian linen, signed verso dorothy, 175 x 300 cm, est 55,000-70,000, cromwells sydney, sydney, 21042004, lot no. 85 more...salt crystals of mina mina, 200249,00057,575synthetic polymer paint on linen, inscribed verso with artists name and catalogue number gun 602509, 137 x 213 cm, est 45,000-60,000, shapiro auctioneers, melbourne, 10122003, lot no. 190 more... accompanying the painting is a certificate of authenticity, tax invoice with our abn, and a cd of working images including images of dorothy with her completed piece.dorothy napangardi is regarded as one of the leading artists of the contemporary aboriginal art movement. dorothys paintings are highly sought after by both collectors and curators worldwide.exhibitions1991 araluen arts centre, alice springs, nt19982002 gallery gondwana, alice spr


  • Ronnie Tjampitjinpa FINE ABORIGINAL ART INVESTMENT!!!!-click here for more

    ronnie tjampitjinpa fine aboriginal art,investment color descriptionronnie tjampitjinpatitlelover boy dreaming. this painting depicts the love story of 2 ancestrial beings, the 2 snakes represent the marrige of 2 skins. this theme is quite rare for ronnie to paint.paintedfeb 2009materials employedatelier acylics on linen.size1800mm x 1200mm approx painted area.authenticity4 x working images of ronnie painting the painting plus photos of ronnieholding his painting amp a coa is offered as well. born 1942 c.region western desertcommunity centre kintoreart centre or agency papunya tula artistslanguage bloc western desertlanguage pintupi awards 1988, alice prize, alice springs, nt collections held artbank, sydney.art gallery of new south walesart gallery of south australia, adelaide.art gallery of western australia, perth.campbelltown city art gallerydonald kahn collection, lowe art museum, university of miami.musee des arts africans et oceaniens, paris.museum and art gallery of the northern territory, darwin.national gallery of australia, canberra.national gallery of victoria, melbourne.the holmes a court collection, perth. the primary images in ronnies work are based on the tingari cycle which is a secret song cycle sacred to initiated men. the tingari are dreamtime beings who travelled across the landscape performing ceremonies to create and shape the country associated with dreaming sites. the tingari ancestors gathered at these sites for maliera initiation ceremonies. the sites take the form of, and are located at, significant rockholes, sand hills, sacred mountains and water soakages in the western desert. tingari may be poetically interpreted as song-line paintings relating to the songs of the people and creation stories of places in pintupi mythology. ronnie can be considered amongst the first wave of artists effectively linking such ancient stories with modern mediums.


  • Betty Mbitjana~MINNIE PWERLE'S DAUGHTER~BIGGGGG & BEST!-click here for more

    betty mbitjanaminnie pwerles daughterbiggggg best color descriptionbetty club mbitjana like mother like daughterhuge gallery quality work at a fraction of the price title awelye womens ceremony and bush melonframing image area xxx large approx 2050 x 1500 mm plus bordercompleted 2008materials artist acrylic paint on thick quality linen the painting bettyrsquos extra large stunningly effective painting combines various aspects of the womens ceremonial body paint designs awelye and the humble bush melon. this is a classic example of bettys raw energetic technique, so reminiscent of her famous mothers minnie pwerle - often described as the picasso of the aboriginal art world, but painted in her own unique interpretation - in a vibrant selection of gorgeous autumn reds, oranges and yellows set against a black primed background. the thick strong brush strokes in this stunning masterpiece co wrapper .section, a img, img.auctionimage,


  • MINNIE PWERLE 'Awelye Atnwengerrp' 152 x 91cm. 2004-click here for more

    the final value of this item includes 10 gst abn 92 684 045 320 minnie pwerle awelye atnwengerrp 2004 title awelye atnwengerrp bush melon and bush melon seed date 2004 acrylic on linen 152 x 91cm. this stunning minnie is perfect condition. since her passing in 2006, minnie pwerles works have steadily increased in value and habe proven to be a great invetment. minnies paintings reflect the body paint and patterns used in womens ceremonies. currently stretched, we welcome pickup, otherwise it will be sent unstretched in postage tube. it comes with certificate of authenticity and photos of minnie with the painting. all photos are a significant part of the item description. take your time to view them all carefully. pickup is free amp welcome. painting will be posted rolled in a postal tube. see postage tab at top of listing for your postage rate. all prices quoted include mandatory registration. all overseas mail is vial insured airmail only. insurance covers loss - not damage. all care is taken in packing fragile goods, but buyers take full responsibility for any damage in transit. if you are concerned about damage in transit, we recommend you arrange a courier of your choice - or pick it up from five dock. winning bidder must contact us within 3 days of auction end. a message with the title your invoice for purchases... will be forwarded within 24hrs after the auction end. pickup address, and all payment and contact details will all be available on this invoice. payment must be made within 7 days. all items sold are second hand, and therefore will have minor signs of wear. minor imperfections consistent with age, i.e. minor scratches, dings etc. any condition issues that we believe detract from the item will be noted. please do not buy if you are expecting an item to be in new condition. please inspect the photos carefully, as they are part of the description. powered by


  • YINARUPA NANGALA Authentic Aboriginal Art-click here for more

    yinarupa nangala authentic aboriginal art womens dreaming 206cm x 150cm great investment piece artist yinarupa nangalaborn c1960region kiwirrkurralanguage group pintupisize 206cm x 150cm 192medium acrylic on linenthis painting was commissioned directly from the artist and comes complete with a coa, biography and photos of the artist holding and signing the painting.the colours of this painting are cream, pink, mustard, yellow, orange and white on a red background.yinarupa nangala was born around 1960 in a place known as mukula, south west of jupiter well in western australia. she is the daughter of the late anatjari tjampitjinpa, who was one of the founders of the papunya tula art movement.she began painting in the early 1980s and was schooled by her late husband, the famous artist yala yala gibbs. she is also artist ray jamess sister. being a member of a traditional aboriginal painting group means she has worked beside some very notable artists. yinarupa is a major artist for papunya tula artist.yinarupa was awarded the telstra general painting award recently. she has been voted one of the top 50 aboriginal artists.sales and delivery informationpainting dimensions are listed by height x width and are quoted in centimetres. please note the painting dimensions quoted are of the actual work only there is a 4-7cm border for framing.each painting is sold with a biography of the artist, a certificate of authenticity and relevant photographs pertaing to the painting.we require payments within 2 days after auction ending. paintings are sold unstretched.delivery fees are a standard 40 within australia and 60 for overseas. all sales are final. so if you have any enquiries please feel free to contact us before bidding, in regards to colours, sizes, types of paint used etc. we do not refund for change of mind, wrong size or anything else as we endevour to be very descriptive about our paintings.all paintings are dispacthed in a tube and clearly marked with all the buyers infor


  • Authentic Aborginal Art - KUDDITJI KNGWARREYE - 182x120-click here for more

    kudditji kngwarreyedescription kudditji kngwarreye language anmatyerre region utopia date of birth c1928 subject my country medium acrylic on belgian linen size 182cm x 120cm painted area painted 2008 in alice springs authenticity signed, working photographs and a certificate of authenticity kudditji kngwarreye is the younger brother of the late emily kame kngwarreye. he is an anmatyerre elder and custodian of many important dreamings. kudditji began painting his emu dreaming using a precise dotting style. he then moved to painting the more abstract my country style paintings which feature blocks of saturated colour. this style was similar to that of emily, however, it is not clear who began painting this style first. due to demand for his earlier works kudditji returned to the dotting style. in 2003, however, kudditji began exhibiting the my country style, which saw him rise to international stardom. exhibitions 1990 art dock, noumea 1992 museum for volkerkunde, basel, switzerland 1999 chapel off chapel, melbourne, victoria 2004 japingka gallery, perth, western australia 2005 colours in country, art mob, hobart, tasmania 2006 japinka gallery, fremantle, western australia 2008 japinka gallery, fremantle, western australia 2008 kate owen gallery, rozelle, new south wales 2009 kate owen gallery, rozelle, new south walesthis painting will be sent unstretched in a tube. fzj6859 txzj67


  • MINNIE PWERLE BEAUTIFUL ABORIGINAL PAINTING 225 x 92cm!-click here for more

    click here. . - now free minnie pwerle 1910-2006 title atnwengerrp awelye 2005medium acrylic on linencanvas size 225 cm length x 92 cm width - this work is extremely large compared to the majority of minnies paintingscatalogue number hgmp18-0105certificate of authenticity yessigned yes, on reverse photos yes, photos of minnie with the work shipping to protect this work, it will be removed from the stretcher and sent rolled in a heavy-duty painting mailing tube. condition this powerful contemporary work of art with many intricate details and subtle colour wash has perfect balance, fine shades and tone of colour and boasts multi dimensional physical presence which is rare in minnie pwerle work. it is in wonderful condition and will be a treasured addition to your collection. payment is to be made by bank deposit. an example of minnies paintings similar to this one sold at auction thanks to www.aasd.com.au pwerle, minnie. 1922-2006 australia aboriginal title hammer priceincl. premium details awelye atnwengerrp 2002 65,000 78,000 synthetic polymer paint on canvas, 165 x 360 cm, est 60,000-80,000, lawsonmenzies, sydney, 14112007, lot no. 51 awelye, 2004 60,000 72,000 synthetic polymer paint on linen, 355 x 165 cm, est 60,000-80,000, lawsonmenzies, sydney, 22112006, lot no. 53 awelye-atnwengerrp 2005 50,000 60,000 synthetic polymer paint on linen, four panels, 122 x 90 cm, est 55,000-60,000, lawsonmenzies, sydney, 14112007, lot no. 129


  • GEORGE HAIRBRUSH TJUNGARRAYI- TINGARI 90CM X 120CM.-click here for more

    george hairbrush tjungarrayi- tingari 90cm x 120cm. color description george hairbrush tjungurrayi title tingari painted march 2009 size120cm x 90cm materialsatelier acryics on hand primed belgian linen. authenticity 16 x working pics, photo of george holding his painting and a coa. born c. 1947 state wa,nt region kiwirrkura, lake mackay, western desert community kintore outstation karkun, walawala, kilpiny language pintupi social affiliationtjungurrayi subsection subjects tingari, kuniya at karrilwarra george hairbrush tjungurrayi was born c.1947 near kiwirrkurra in the gibson desert, western australia. george commenced painting in papunya about 1976 for papunya tula artists. his older brother willy tjungurrayi is also a well known pintupi artist. george is considered one of the most respected senior artists from the western desert. georges paintings most often represent specific sacred sites located in his ancestral country associated with tingari ancestors which were created throughout the tjukurrpa or dreamtime. thankyou for visiting our site view my other items for sale for any enquiries please phone mandy on 0889533555 bh


  • GEORGE (HAIRBRUSH) TJUNGURRAYI AUTHENTIC ABORIGINAL ART-click here for more

    george hairbrush tjungurrayi authentic aboriginal art tingari cycle 200cm x 150cm inc 30+ progress photos artist george hairbrush tjungurrayiborn c 1945region kiwirrkurra- western australia, walungurru kintore- northern territorylanguage group pintupisize200cm x 150cm 385medium acrylic on linenthis painting was commissioned directly from the artist george hairbrush tjungurrayi and comes complete with a coa, biography and progress photos.the colours of this painting are traditional red and white on a red background.george hairbrush tjungurrayi was born around 1947 at kirrimalunya, north-west of kiwirrkura in western australia. a pintupi, luritja and ngaatjatjarra speaker he started painting in 1976 as one of the younger apprentices of the older painting men of papunya, with works of classic concentric iconography.like his brothers and sister george was born in the bush and came in from the desert by way of yuendumu and papunya. his older brother, willy tjungurrayi, is also a very well-known pintupi artist, as is his sister naata nungurrayi. george often depitcs in his paintings specific sacred sites located in his ancestral country, which are associated with the tingari cycle of creation dreaming stories. tjungurrayis linear shimmering geometric paintings have brought his work to particular prominence since the late 1990s. frequently of large size and painted in either strong bold colours or with expert handling of a subtler palette, his arts optical, three dimensional quality is a representation of spiritual power and creates considerable aesthetic impact.selected exhibitions 1990, 1996 araleun arts centre, alice springs 1992, 1994 dreamtime gallery, broadbeach 1993, 1995 chapman gallery, canberra 1994 gallerie australis, adelaide 1995 groninger museum, the netherlands 1995, 1996 papunya tula artists, alice springs 1995 museums and art galleries of the northern territory 1996, 1998 gallery gabrielle pizzi, melbourne 1997 utopia gallery, sydney 1997 dreampower adelai


  • .Ngoia Pollard Napaltjarri ..2006 Telstra award 4435-click here for more

    ngoia pollard napaltjarri 1. this original art work on primed canvas in acrylic is by ngoia pollard. meaures approx 206cms by 103cms. ngoia won the prestigious 2006 telstra 23rd national aboriginal and torres strait islander art award. please do a google search for more information about this great artist. when i ask interested buyers to do a google search...i do not mean to be lazy. it just gives a better feel for the work and most importantly an idea of prices asked. ngoia was the wife of jack tlampijinpa pollard, now deceased. ngoia was born approx 1948. black base, white dot work and brown oval work. the pics of ngoia holding the work and also the signing is included. 2 signed and titled and a certificate of authenticity will be included. 3 please only bid if you are serious about purchasing. 4 bringing genuine aboriginal art to suit all budgets with 18yrs experience in the red centre. 5 a small outlay now may be a good investment for the future. 6 gst is included in the final price. an invoice will accompany the painting. my abn no. is 17-921-390-664 7 we do combine postage and usually the second painting is free, but ofcourse it does depend on weight. please contact us about quotes. insurance is also available. powered by on 04-feb-05 at 105311 aedst, seller added the following information after purchasing, pay instantly with your credit card through paypal. on 28-feb-06 at 162117 aedst, seller added the following information on 07-dec-07 at 143052 aedst, seller added the following information


  • Tribal Women gather bush oranges earth reclaims set 2-click here for more

    2 very rare and unique canvas paintings by traditional aboriginal artist jenny forbes. the first in the set is the smaller of the two measuring 1150mm by 780mm and is the begining of the collection of bush oranges and hunting in the sand by the traditional women of the alice. the second of the set measures 1450mm by 900mm, and is the story of the creatures of mother earth reclaiming the bush fruits the tribal women have collected for the camp. amazing detail and a must for any collection. the 2 piece collection are a story together and should not be seperated. aquired during time spent in the arhnem region with traditional aboriginal tribes. both pieces are signed by the artist and will become priceless to any collection.


  • JOSIE PETRICK KEMARRE Highly Collectable Aboriginal Art-click here for more

    josie petrick kemarre highly collectable aboriginal art wild bush berry massive 360cm x 200cm collectors artist josie petrick kemarreborn c 1945 region atitjera harts range - northern territory language group anmatyerre size 360cm x 200cm 335medium acrylic on belgium linenthis painting was commissioned directly from the artist and comes complete with a coa, biography and photos of the artist signing and holding the painting.the colours of this painting are blue, yellow, pink, orange, green, red, and purple on a black background.biography born at saint teresa mission, josie petrick commenced painting in the early 1990s. since then she has attained a high degree of sophistication in the interpretation of traditional womens stories. josies first job was working at the mission as a chef, this is where she also met her husband, robin now deceased, and after her bush marriage moved to an area of utopia called mt swan where they had 7 children. she has also worked as a translator for the central land council. she is the niece of the famous artist emily kame kngwarreye. josie usually depicts the gathering of bush food. her earlier works are quite typical of utopia art, much line work depicting body paint designs, and many traditional symbols seen in central desert dot painting. in her art she uses only a semblance of aboriginal iconography. her dreamings are based on native plants and bush tucker species and the various colours depicted throughout her local landscape, as well as design elements associated with womens awelye ceremonydancing and womens dreaming. this interesting, modern interpretation of landscape exudes an aura of the abundance of bush fruits. selected exhibitions 1995 jinta desert art 1996 aboriginal desert art gallery, melbourne, victoria 1997, 1999, 2000 aboriginal art galleries of australia, melbourne, victoria 1999 embassy of australia, new york city, u.s.a. 1999 united nations, new york city, u.s.a. 1999 out of australia lui hai-sun national art museu


  • Josie Petrick Kemarre - Central Aboriginal Artists-click here for more

    josie petrick kemarre measures 206 x 139cm cat no caa14622 josie petrick kemarre was born c1945, her language is anmatyerre, and her people are anmatyerre. this painting tells the story of bush berry after rain fall. it is acrylic on linen. this piece has been signed by josie and offered with the painting is a certificate of authenticity, a photo of josie holding this piece, one photo of the painting in progess, 3 photos of josie signing the painting and an information sheet on utopia. josie has had a long and established career with her unique use of colour which makes her works bright and colourful and fantastic to look at. she has had numerous exhibitions which include the embassy of australia in washington dc, embassy of australia in new york, united nations in new york and several local exhibitions run by major galleries. payment australian buyers i accept bank deposit, money orders, bank cheques and paypal. if using bank deposit please leave your username as reference. international buyers paypal or telegraphic transfer are the only accepted methods of payment.payment is to be made within 7 days of purchase. insurance insurance is an optional extra charged at a flat rate of 6. insurance is highly recommended. shipping postage australian buyers au40.00. all items are sent rolled up in a tube via courier and cannot be sent to po boxes. international buyers au70.00. all items are sent rolled up in a tube via courier and cannot be sent to po boxes. delivery within australia usually an overnight service once payment has been recieved, however can take an extra day or two. international approx 7 business days worldwide contact me email centralartbigpond.com.au postal address po box 1867 alice springs 0871 abn 96360618180


  • Authentic Aboriginal Art - WALALA TJAPALTJARRI-click here for more

    walala tjapaltjarridescription walala tjapaltjarri date of birth c1969 region kiwirrkurra, western australia language group pintupi title tingari cycle size 180 x 120cm medium acrylic on belgian linen colour red and white on black background date painted 2008 authenticity photograph of the artist with the completed work and a certificate of authenticity walala was born in the region of lake mackay in the western desert. walalas first contact with present-day australian society was in 1984 when he joined the remote community of kiwirrkurra in the gibson desert. walala commenced painting in 1997. his paintings depict the tingari cycle secret and sacred mythological ceremonies of the journeys of his ancestors in the tjukurrpa dreamtime. selected exhibitions 1997 14th national aboriginal and torres strait islander art award, darwin 19982000 coo-ee gallery, sydney 19982000 vivienee anderson gallery, melbourne 199819992000 fire-works gallery, brisbane 1998 japingka gallery, fremantle, perth 1998 15th national aboriginal and torres strait islander art award, darwin 1999 fine arts museums of san francisco, u.s.a. 19992001 rebecca hossack gallery, london, u.k. 1999 alliance francaise de canberra and french embassy, canberra 2000 stephane jacob, paris, france 2000 dar festival brisbane powerhouse, brisbane 2000 australian heritage commission, canberra 2000 17th national indigenous heritage art award, canberra 2002 aboriginal galleries of australia, melbourne 2003 chapel off chapel gallery, melbourne selected collections art gallery of n.s.w., sydney flinders university, adelaide artbank el paso energy international co, houstan, u.s.a. kaplan levi collection, seattle, u.s.a. the kelton foundation, santa monica, u.s.athis painting will be sent unstretched in a tube. fzj6859 txzj67


  • Gloria Petyarr(e) Bush Medicine Leaves-click here for more

    gloria tamerre petyarr petyarre bush medicine leaves 2007 sythentic polymer on linen 140 x 210 cm signed on verso gloria original artwork. full provenance provided. certificate of authenticity provided. this work is in excellent original condition. currently stretched on a pine frame but can be shipped unstretched. an beautiful example of glorias famous bush medicine leaf design. a highly collectable work painted on quality belgian linen using premium materials. if you would like futher information or images of this artwork, please contact us. viewings available by appointment. we ship australia-wide. please contact us for a quote. this work is also available for pick-up. we can combine postage when more than one item is purchased.


  • Ngoia Pollard Napaltjarri title:Swamps near Nyrripi.-click here for more

    ngoia pollard napaltjarri, titleswamps near nyrripi. color description ngoia pollard.gallery quality3 x days for ngoia to paint and dotthis masterpeice.titleswamps near nyrripiauthenticityphotos of ngoia holding and signing her painting, 30 plus working pics. coa providedmaterialsacrylics on hand primed linen.size151cm x 151cmpaintedjan 2010 view my other items for saleview my feedback ngoia pollard napaltjarri was born in haastrsquos bluff in about 1948. ngoia paints her fatherrsquos country, which is a sacred walpiri territory. the oval shapes in her paintings are iconographic representation of the swamps and lakes near nyrripi talarada north west of mount liebig where ngoia lives. the dots represent the water drying up and the cracks in the ground forming. ngoiarsquos work is included in the national australian art gallery, the national gallery of australia in canberra, and artbank sydney, amongst others. in 2004 ngoia was the winner of the advocate central australian award, and in 2006 was outright winner of the highly prestigious natsiaa telstra prize. have fun bidding in our auction.


  • Aboriginal Painting ..Ningura Naparulla 4546-click here for more

    ningura naparulla warning....i do not send second chance offers. if you receive an offer please ignore it. 1. this original art work on heavy canvas in acrylic is by ningura naparulla. approx 203cms by 114cms..the pic of ningura holding this piece will be included. ningura was born in 1938 at watulka near kiwirrkura in western australia. please do a google search for this ladys many achievements including the lastest exhibition at musee du quai branly in paris. painted in black base...then red and yellow ochre colouring, then the black and white. featues the women collecting the bush tucker tomatoes in the dry desert creek bed. an amazing work and at this price a fantastic investment. 2 signed. a certificate of authenticity will accompany the purchase. 3 please only bid if you are serious about purchasing. 4 bringing genuine aboriginal art to suit all budgets with 18yrs experience in the red centre. 5 a small outlay now may be a good investment for the future. 6 gst is included in the final price. a tax invoice will accompany the painting. my abn no. is 17-921-390-664. 7 we do combine postage and usually the second painting is free, but ofcourse it does depend on weight. please contact us about quotes. insurance is also available. powered by on 04-feb-05 at 105311 aedst, seller added the following information after purchasing, pay instantly with your credit card through paypal. on 07-jul-05 at 115555 aest, seller added the following information on 05-dec-07 at 172733 aedst, seller added the following information


  • ORIGINAL painting Australian aboriginal inspired -click here for more

    this is a painting done not by an aboriginal but by a wonderfully talented artist, painter and sculptor, brian rose, who was inspired by the different aboriginal methods of art in this piece he has utilised the cross hatching work of the aboriginal peoples of the kimberleys in western australia, the x-ray art styles of southern australia and the dot painting style of the papunya people in central australia with his own interpretations of forms and colours. this painting was done in the mid 1990s and took over 1200 hours to complete. considering its size 104cm x 84cm with no blank space around the edges and the fact that there are dots within dots within dots, using a brush which contained only one hair bristle it is easy to understand why it took so long to complete and the amazing determination and skill to do so. the painting was commissioned by me from the artist and i waited over 3 years for it to be completed. when it came time to frame it, the framing gallery owner and i spent considerable time deciding just how this should be done. no matter what frame or what colour border we tried, the painting lost considerable appeal so it was decided to simply put the painting on a board and cover it with a piece of perspex. the painting is done on a piece of cloth that which they use in the lining of car roofs before the upholstery goes on. this particular cloth has a sticky heat activated backing which made it impossible to heat stick to the board as it would have lifted the paint. the painting has, over the years, self stuck to the board anyway and the perspex is still in original condition with no scratches or marks. to keep it all together it was fastened with a small screw in each corner that was then covered with a white plastic cap the only sign that there is anything holding it together at all and does not detract from the painting. sadly the artist passed away a few years ago car accident out where he was at last happy and at peace with his world the outb

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